Enough novelty was tied in to the rap career of Jonwayne
that his projects would earn buzz, albeit only within the ever-blurring borders
of “underground” hip hop. There were his aptly titled, only-available-on-tape-deck Stones Throw mixtapes. There was the Philip Morris lawsuit that followed the Cassette. Then of course there is his
name, shared with, but not lifted from America’s favorite cowboy (unlike The Duke, Jonwayne’s moniker is his given name). But once novelty wore thin, the substance had
to pack a punch worthy of the legendary Stones Throw stamp of approval.
The native of La Habra, California began his ascent as a beatsmith
before laying his signature voice over his own productions. His first release
on Stones Throw didn’t even feature a tracklist, just two sides of a tape
cassette, four raps on one, their corresponding instrumentals on the other. Before
being told to cease and desist by the world’s largest seller of cigarettes due
to their similarities in packaging, the tape was highly sought after, due both
to its limited release and Jonwayne’s breakout performance.
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